interview and copy
written for EIKON at Screen Daily
article here
EIKON was founded
on the ethos that global entertainment clients want consistency of output and
quality from global servicing. Whether that is local or international markets
for theatrical or streaming, studios desire creative, editorial and technical
quality and control delivered across multiple windows for worldwide audiences.
Often that has to happen in a very compressed timeframe but with no compromise
made on quality or delivery.
There are
idiosyncrasies and variables that need to be addressed as a servicing partner
in the precious theatrical value chain. They can be anything from editorial and
scripting changes, localised graphics, compliance issues, even release date
changes. All of these and more can crop up late in the process necessitating a
partner capable of nimbly accommodating inevitable alterations — at scale and
speed.
EIKON has invested
time and money to make sure that is the case. Operating one P&L across
multiple geo-located facilities ensures a coherent business culture globally.
All its localised translation, subtitle, graphics, mastering and QC services in
different locations unite to deliver one global output.
“Global delivery
and servicing cannot truly be delivered if you operate fractured location and
service specific facilities or management,” explains Richard Fish, COO of
EIKON. “Whether from our Burbank, London or Sydney operation, communication and
quality has to be excellent, always. That means we have to structure, plan,
operate and deliver as one worldwide entity, leveraging our global capacity in
any given area of our business as one company and ensuring service is seamless
irrespective of location.”
Peter Wright, CEO
of EIKON, adds: “Our services are holistic, they complement one another and
contribute to the same output. It is integral we have a consolidated approach
globally. That means having a strategy at the very top of the organisation that
manages one global entity irrespective of location, irrespective of
requirement. It’s an approach that allows us to leverage and load-balance our
capacity and maintain world-class quality.”
There are four
pillars to EIKON’s strategic approach. First, global proprietary workflows
built on EIKON’s innovative Global Name Space technology allow its teams to
move assets for each project seamlessly across specialist divisions,
irrespective of location and time difference — global capacity scheduling and
planning not beholden to location for creative or technical delivery.
Second, end-to-end
workflows from script services to creative and editorial localisation to
mastering and QC for all windows are knitted together using EIKON-developed
proprietary tools including META (translation management platform), SKREEN
(online screening) and ultimately TRAK (high-powered project management tool).
Although smart
workflows generate efficiencies and scale, physical infrastructure remains key
and this is the third pillar. EIKON has just added four new theatres and four
media suites in Los Angeles and two new theatrical media suites in London,
bringing its global total to 14 screening theatres and 16 media suites.
In 2024, EIKON is
enhancing its Sydney operation to further develop the global service within
APAC.
One global voice
The fourth and
perhaps most important pillar adding value to the company’s global offer is
communication. The ability to communicate clearly, consistently, continuously
and as one global voice with the client is absolutely critical.
“Understanding the
studios’ requirements globally, but communicating with head office and regional
markets continuously for sign-offs and updates, is key as well as the internal
comms to ensure we are what we say we are,” says Wright.
Fish adds: “We have
a global management team and are always investing time and money in developing
the culture of our business towards the core values so everyone at whichever
EIKON location they work at has the same understanding of our ethos and
principles.
“Having a global
operational and service strategy allows us to maximise and optimise our
worldwide capacity and skillset, positioning EIKON for all the creative and
time-sensitive variables that exist in the valuable and precious theatrical
window,” he adds. “This underpins everything we do. It has served EIKON
incredibly well and contributed to our significant growth in the global market
as streaming entertainment content expands deeper into more and more
territories worldwide.”
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