How “Atlanta” Is “Everywhere and Nowhere”

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For the brothers Glover Atlanta is a state of mind. Four years after the end of season 2 the Emmy winning and multi-award nominated comedy-drama returns but characteristically not in the form you expect.

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“Atlanta is everywhere and nowhere,” Stephen Glover, who writes and produces on the series, told Variety.

“It’s our point of view; it’s not really about the place,” show creator and star Donald Glover adds. “Although in Season 4, [Atlanta] makes a very heavy resurgence, as far as the actual place. Europe solidified how we felt while writing Season 3. [Director Hiro Murai] calls it our maximum season.”

Fans of the show will know that S2 left off with Earn (Donald Glover), his cousin Alfred aka Paper Boi (Brian Tyree Henry) and Alfred’s right-hand man Darius (LaKeith Stanfield) setting off to Amsterdam for Alfred’s rap tour playing for largely white audiences. Season 3 which debuts on FX this week, was shot almost entirely in Europe (London mainly with location work in Amsterdam and Paris).

“It’s a very honest season,” said actor Zazie Beetz who was Emmy nominated for her role as Van. “All of the characters are out of their element, which allows things to rise to the surface that you would otherwise be able to, in habits and in comfort, suppress. And here, you can’t, because you have nothing to catch you. It’s a lot of truth and reflections of where we’re all at as ourselves and as people.”

The series, which premiered in 2016, is notable for having an all-black writing staff. The writer's room consists of the two Glovers, and members of Donald’s rap collective 'Royalty' including Fam Udeorji (Glover's manager), Ibra Ake (Glover's longtime photographer), and Jamal Olori. Stefani Robinson and Taofik Kolade round out the writer's room.

“We just wanted to make a Black fairytale,” Glover reports in Variety. “I remember sitting in the writers’ room and being like, ‘What do we write about?’ We just wanted to do short stories. Something I would want to watch.”

S3 and S4 were filmed back-to-back the fourth and final season set to premiere this fall.

The first two episodes of the series were shown at SXSW. Deadline’s critic goes overboard, “In short, based on what I’ve seen, it is a true American masterpiece,” writes Dominic Patten. “You should sit down and watch the episodes to banquet upon the artistry that permeates Atlanta.”

Honestly, where do you go as a critic having written that? It’s like Spinal Tap’s turned up to 11 moment.

To be fair, Donald Glover hasn’t been shy about bigging up his own show, comparing it to The Sopranos in a tweet.

The first episode of the new series, ‘Three Slaps’ “exists at an intersection of race, class, and madness,” says Variety’s reviewer and apparently draws on the 2018 massacre in which two white women, a married couple, murdered their six adopted children (all of them Black).

The second episode has the characters confronted at every turn by white Europeans in blackface, “as part of a Christmas celebration that comes very rapidly to look and feel like a society-wide parade of mockery.”

Variety continues, “Glover continues to find new ways to register a sort of unsurprised confusion, baffled at what’s unfolding around him but hardly shocked that it’s incomprehensible.”