copywritten for Sohonet
It takes a brave soul to swap jobs in the midst of a
pandemic, but Darren Woolfson was up for a challenge. He left the
Pinewood Group to re-join Molinare last May as Director of Technology &
Visual Services. Soho’s iconic full-service postproduction house had been
forced, like every other media business, to revert to ‘at home’ workflows.
https://www.sohonet.com/our-resources/blogs/molinare-keeps-remote-solutions-on-the-service-menu/
“When I arrived at the facility, a lot of gear such as
Baselight and Avid, had been moved to people’s homes as a short-term solution
to business continuity,” Woolfson explains. “I wanted to get the media back
into Molinare and provide a remote control solution to improve the
workflow.
Security was one aspect but not the only one. “There are
genuine security issues and perceived ones,” Woolfson says. “Having media
outside your facility is a perceived issue but how genuinely a major issue it
is, is up for debate. A facility is a more obvious target than a single hard
disk at someone’s home. It’s a consideration for sure, but my reasons for wanting
everything back at Molinare was to achieve greater control and consistency in
everyone’s experience of remote working. Engineering support is also far more
practical with media and equipment in one place and next to impossible without
physically entering someone’s home.”
Rather than rely on one tool, Woolfson engaged a combination
of solutions including HP’s Remote Graphics Software (RGS), Teradici for
access to Media Composer and Sohonet ClearView Flex as well as the facility’s
own newly deployed client streaming platform.
“What we like is to have lots of options for different use
cases and different environments,”
“What we like is to have lots of options for different use
cases and different environments,” Woolfson says. “Often there are compromises
in bandwidth capacity at the receiving end but having a wider inventory also
enables us to market and package remote solutions tailored for each client.”
Underpinning them all is the Sohonet network. “Our VPN is
managed by Sohonet. Our firewall services are delivered through Sohonet. I’ve
worked with them for many years and I know Sohonet technology is first class.”
“ClearView Flex itself is a fantastic product,” he says.
“The quality of stream is excellent and viewable on Apple TV and mobile devices
and laptops. It’s fair to say that if you’re making very specific and nuanced
decisions about colour or you’re trying to identify a particular artefact then anything
other than a professionally calibrated 4K display may not be suitable.
“ClearView Flex itself is a fantastic product,”
“We’ve attached ClearView Flex to our grading and online
suites principally for reviews and used it to post a variety of high-profile
projects for all the streaming giants during the pandemic.”
From lockdown last March through to today, Molinare never
closed its doors entirely. Clients could attend craft sessions with strict
health protocols in place.
“We monitored the Co2 in each room which gives a good
indication of the quality of air and air flow,” Woolfson says. “Thanks to
social distancing and the other health measures we put in place, we’ve not had
a single outbreak as a result of being in the office. Now, as lockdown rules are
lifted, we’ll begin to see more staff and more clients return to the
suites.”
Inevitably as a result, the role of remote will diminish a
little. He says, “Many people are desperate to get back into the office. On a
bigger project in particular it is much more effective to be able to discuss
issues and share ideas with various creatives by simply going from cutting room
to online to grade or audio mix within the same building.
“we will keep all our remote solutions in place to offer to
our customers”
“That said, we will keep all our remote solutions in place
to offer to our customers. Going forward, if a client needs six cutting rooms –
four might be in the building and two might be remote. It’s a great advantage
for everyone. The client has the flexibility to decide how they want to set up,
and it allows us to sell more edit facilities. While accepting that remote or
even hybrid won’t be right for every job, we are no longer constrained by physical
capacity. I think it offers a real opportunity for all round.
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