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https://amplify.nabshow.com/articles/who-will-win-that-eternal-battle-for-eyeballs/
Advances in TV technology are yet one more reason why
simultaneous theatrical and streaming film releases are here to stay. The gap
between cinema and home cinema is narrower than ever, according to the latest
stats.
The Evolution of the TV Set 2021 report from Hub
Entertainment Research published in July indicates that a majority (57%) of US
homes have a set with a screen that is 50 inches or larger (it was only 28% in
2016). And 7% have a television that is 70 inches or bigger.
With most movies still distributed at 2K for cinema
projection, playback in the home can be better with 44% of homes owning a 4K
capable TV — almost ten times as many as in 2016.
The Hub reports that 40% of TV homes have an external sound
system — a TV connected to a sound bar, home theater speakers, or a stereo
system.
Commenting on the report, David Tice at TV
Rev notes that the pandemic increased consumer investment in home
entertainment. In the Hub’s July 2021 study, “Predicting the Pandemic,” about
40% of those who watch on a smart TV say they bought one during the pandemic.
“It’s clear that TV tech enabling a cinema-like experience
is more prevalent than ever,” Tice says.
Watching at home has always been less expensive and Tice
runs the numbers. A two-person ticket to watch Black Widow costs $25,
plus concessions ($10), for a total of about $35 in addition to the time taken
to drive and park. Versus staying at home and paying $29.99 for the Disney+
premium buy, about 25 cents for a bag of microwave popcorn, and a two-minute
walk downstairs to an 80” 4K set with surround sound.
“In terms of money and time, the choice between going out or
staying in is about even,” Tice says.
The economics swing completely in favor of home viewing when
weighing up the cost of sending the family to the theater.
“It’s true that for some movies, it’s hard to beat watching
a movie with 500 other souls. But the in-cinema experience also varies widely
and can contribute to a desire to stay at home. Whether it’s people talking to
each other, texting or talking on their phones, or food and drinks being served
during a movie, the experience has suffered over the past decade.”
Before the pandemic, exhibitors were revamping the cinema
experience by offering Premium Large Format (PLF) screens incorporating Dolby
Atmos, super large screens and other luxuries like superior seating and food to
chair service.
Theater owners will hope that options like these continue to
differentiate their venue for watching the new movie. “It may well work for
blockbusters but ‘art house’ movies may well turn into ‘in-house’ movies enjoyed
at home – the home experience will be good enough for character studies and
documentaries,” Tice thinks.
There is another option, which is for the industry to buy
into Doug Trumbull’s vision of a 4K HFR and 3D presentation.
“If we want the movie experience to be different from TV
we’ve got to offer a spectacular, mindboggling experience that is more like a
live Broadway show, a concert, a Cirque du Soleil,” he says. “It’s got to be
bigger, better, much more immersive, more intimate and more spectacular.”
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