IBC
Professional audio visual show Integrated Systems Europe
exhibits a market rocketing upwards on video tech.
Pro AV is a bustling sector and by 2023, the industry is
predicted to be worth U$230 billion dollars. This is up from U$180bn today,
according to AV trade group, AVIXA, with video the reason for much of AV’s
expansion.
Pro AV is largely about business to business communications
in markets outside media and entertainment.
That includes hotels, the military, banks, government,
retail and education. Video has become the essential media in all of them
whether that’s on digital signage, internal training, remote meetings, command
control, surveillance or in more exotic applications like holography.
This is evident at AV trade show Integrated Systems Europe
(ISE) where some halls resemble Times Square or the Las Vegas strip, so packed
are they with giant screens displaying eye-popping images of everything from
glaciers to astronauts.
Automated video production
Unlike film and TV, however, the production of video is not a core skill for
most corporate enterprises. The responsibility for installing, managing and
maintaining video kit as well as shooting, packaging and distributing it often
falls to under-resourced AV and IT departments.
NewTek and Blackmagic Design among others have come up with
inexpensive solutions for this that make a virtue of being relatively easy to
use with little training while delivering professional quality video.
A Sony innovation unveiled at ISE goes further by using
motion and face detection to analyse the input from multiple pan-tilt-zoom
cameras. The REA-C1000, which Sony likens to a ‘brain’, can extract handwritten
objects from black and white boards using an object detection algorithm.
A chroma keyless function can extract a presenter from the
video and overlay them onto any background without the need for a dedicated
green screen. The device can also detect and move/zoom into the gestures of
audience members and track presenters in frame.
Altia Systems announced PanaCast 3, dubbed the world’s first
intelligent panoramic video system. This integrates three 13-megapixel cameras
and will automatically stitch a 4K resolution 180-degree field of view. It’s
for mounting on top of a digital display or on a wall and is intended for video
conferencing or meeting collaboration. It too is AI-enabled “which is critical
for companies to improve participants’ experience autonomously, automate
workflows, and generate data lakes of valid information,” said CEO Aurangzeb
Khan. It only costs U$895.
Related new technologies include a complete video production
station from Datavideo housed in a small 8kg suitcase. The HS-1600T has scope
to live switch up to three cameras (not included) and has a built-in encoder
for streaming.
Magewell debuted an HDMI streaming encoder intended to make
live streaming “remarkably simple” for non-professionals. The Ultra Stream can
be controlled by smartphone app, record files to a USB drive and is capable of
taking in 4K 60fps and down-converting to HD for streaming.
Signage explosion
The past twelve months has seen digital signage become a U$7bn industry in EMEA
alone. Global sales of large-format commercial displays shot up 21 percent last
year to total $14.6 billion.
“We’ve seen 55-inch screens become the new norm, LED is
starting to encroach on what was LCD territory, especially in video walls, and
increasingly digital signage is part of a wider omni-channel marketing
strategy,” explained Florian Rotberg, chair of ISE’s digital signage summit.
Such is the sophistication of digital signage today that it
can capture key metrics such as how many people looked at the sign, how long
they looked at it for, how they reacted to it and even their gender and age. It
can even modify the messaging in response to that data. Networks are being
managed in the cloud and screens themselves can be morphed into all sort of
shapes, structures and sizes.
Fashion retailer Primark, for example, now features LED
screens rather than merchandise in its front windows, has transformed
escalators into a LED feature and created large video walls on which content is
sensor-triggered to attract the attention of shoppers.
The sector is experiencing a significant amount of
disruption, however, with changing consumer behaviours and expectations driven
by the likes of Facebook, Amazon, Netflix and Google.
Stefan Schieker, managing partner at Result MC, explained:
“These companies taught consumers to use touch, now they’re trying to teach us
to use voice and not to care about owning things, but to share it. That’s
having a deep impact on the retail industry and how we use signage to convince
consumers to do, use and buy stuff.”
Halo is a new voice assistant from Spanish developer Beabloo
that combines AI with conversational natural language processing and computer
vision to present personalised digital screen marketing.
LED makes cinema impact
LED screens are making an impact in theatrical exhibition where the technology
could be an eventual replacement for traditional projection. Direct View LEDs
are now installed in about 20 theatres worldwide.
“Cinema is expected to be one of the fastest growing markets
because Direct View is a potential upgrade path for theatres and because of
digital signage investment in cinema lobby areas,” said Sean Wargo, AVIXA’s
senior director of market intelligence.
Cinema chains are adding more and more technology into
auditoria in a bid to attract more people to an experiential experience. They
have to, since the average cinema-goer in Europe only spends about five hours
in a cinema a year, according to analysts IHS Markit.
“The range of technologies from 4D seating to Premium Large
Format are multiplying in cinemas because there is so much other competition
for our time. It has to grab our attention,” said IHS’ David Hancock.
Fusing physical with digital
The consumer market hasn’t embraced VR because the industry hasn’t nailed the
storytelling, according to location-based entertainment VR expert Bob Cooney,
speaking at ISE’s XR Summit.
Disappointing consumer take up, however, has not stopped B2B
firms from experimenting with immersive technologies.
A successful case-in-point he mentioned was location-based
amusement park, The Park Playground in Antwerp, Belgium which has integrated a
TV series into one of the Park’s experiences, involving a bank robbery that
goes wrong.
Futurist Amelia Kallman predicted that WebAR – which uses
mobile devices to provide Pokemon Go-style augmented reality experiences –
will be one of the biggest trends in AV in 2019.
“For years retailers have tried to bring physical and
digital experiences together. Now, you will be able to create events such as
scavenger hunts in-store, which people can share on social media.”
The fashion and luxury brands industry is eyeing AR with
interest. In one experiment, the London College of Fashion worked with
LucasFilm’s immersive entertainment lab on a series of digital garments. The
college’s head of Fashion Innovation Agency, Matthew Drinkwater, believes that
entire virtual collections could soon be created as a means to engage the
public with new designs.
“In a decade, mixed reality glasses will be consumer facing
and then, when you can add digital content to the real world it will open up
whole new business models.”
Holography is predicted to dominate AV “when someone cracks
it,” says Evan Grant of AR/VR design company Seeper. “The way you can bring
human storytelling into the environment to create a realistic human 3D avatar
or hologram has huge potential. The entire goal is to create a sentient bot
that you can converse with.”
Amy Winehouse will feature as a hologram in an upcoming
tour. A projection of the late singer will “perform” digitally remastered
arrangements of her songs, backed by a live band, singers and what the
production company Base Hologram calls “theatrical stagecraft”.
Adding AI to holography is another AV tech trend. Immersive
experience firm Tiger Heart is working with artist Sara Pope to make a
holographic pair of lips fused with AI. “The idea is to create an emotive
experience where the user engages with the lips,” said Tiger Heart founder Sanj
Surati, who said he was pitching Scarlett Johansson to be the lips’ voice.
“It’s just one example of the fantastic engagement that needs to be transposed
to other parts of AV.”
There was a warning, though. “There will be less than a
handful of AIs in the world,” Grant said. “Amazon, Google will basically give
their AI-hardware away because what is valuable to them is data about all of
us. Developers will have to use AIs from Amazon, Google and in doing so they
become an even greater gatekeeper.”
Holoportation
As in other industries, 5G is anticipated to be a huge game-changer. The
super-speed data network promises realtime collaboration and ‘holoportation’, a
sort of Skype on steroids.
This could be enabled by devices like Microsoft Hololens,
version two of which is due to be announced later this month. In one example, a
person is filmed in 360-degree 3D video with data sent over 5G for viewing over
a Hololens by an executive in another country for a virtual face to face
meetins. This is possiblenow but only when heavily pixelated and with
unworkable delay, but 5G will cut latency, increase quality and render the
experience holographic.
Smart homes
AI and facial recognition will play an increasing role in the personalisation
our homes. That was a key takeaway from an ISE conference about Smart
buildings.
“Smart buildings shouldn’t just automate functions such as
light or temperature control – they need to engage the inhabitants within,”
argued Oliver Lltisberger, managing director of Swiss AV tech provider ABB’s
smart buildings division.
Instead of sensors and interfaces, smart home developers
should think about the performance of people in a space, suggested Michael
Schnieder, creative technology chief at architectural consultancy Gensler.
“It’s not just lights, sound, temperature but people,
storytelling, communities and social elements which are core to smart
buildings,” he said.
Such a ‘human-centric’ approach might mean we’ll have
robotic or holographic avatars as the interface to the smart home rather than
the bodyless voice control of Alexa.
Professional audio visual show Integrated Systems Europe
exhibits a market rocketing upwards on video tech.
Pro AV is a bustling sector and by 2023, the industry is
predicted to be worth U$230 billion dollars. This is up from U$180bn today,
according to AV trade group, AVIXA, with video the reason for much of AV’s
expansion.
Pro AV is largely about business to business communications
in markets outside media and entertainment.
That includes hotels, the military, banks, government,
retail and education. Video has become the essential media in all of them
whether that’s on digital signage, internal training, remote meetings, command
control, surveillance or in more exotic applications like holography.
This is evident at AV trade show Integrated Systems Europe
(ISE) where some halls resemble Times Square or the Las Vegas strip, so packed
are they with giant screens displaying eye-popping images of everything from
glaciers to astronauts.
Automated video production
Unlike film and TV, however, the production of video is not a core skill for
most corporate enterprises. The responsibility for installing, managing and
maintaining video kit as well as shooting, packaging and distributing it often
falls to under-resourced AV and IT departments.
NewTek and Blackmagic Design among others have come up with
inexpensive solutions for this that make a virtue of being relatively easy to
use with little training while delivering professional quality video.
A Sony innovation unveiled at ISE goes further by using
motion and face detection to analyse the input from multiple pan-tilt-zoom
cameras. The REA-C1000, which Sony likens to a ‘brain’, can extract handwritten
objects from black and white boards using an object detection algorithm.
A chroma keyless function can extract a presenter from the
video and overlay them onto any background without the need for a dedicated
green screen. The device can also detect and move/zoom into the gestures of
audience members and track presenters in frame.
Altia Systems announced PanaCast 3, dubbed the world’s first
intelligent panoramic video system. This integrates three 13-megapixel cameras
and will automatically stitch a 4K resolution 180-degree field of view. It’s
for mounting on top of a digital display or on a wall and is intended for video
conferencing or meeting collaboration. It too is AI-enabled “which is critical
for companies to improve participants’ experience autonomously, automate
workflows, and generate data lakes of valid information,” said CEO Aurangzeb
Khan. It only costs U$895.
Related new technologies include a complete video production
station from Datavideo housed in a small 8kg suitcase. The HS-1600T has scope
to live switch up to three cameras (not included) and has a built-in encoder
for streaming.
Magewell debuted an HDMI streaming encoder intended to make
live streaming “remarkably simple” for non-professionals. The Ultra Stream can
be controlled by smartphone app, record files to a USB drive and is capable of
taking in 4K 60fps and down-converting to HD for streaming.
Signage explosion
The past twelve months has seen digital signage become a U$7bn industry in EMEA
alone. Global sales of large-format commercial displays shot up 21 percent last
year to total $14.6 billion.
“We’ve seen 55-inch screens become the new norm, LED is
starting to encroach on what was LCD territory, especially in video walls, and
increasingly digital signage is part of a wider omni-channel marketing
strategy,” explained Florian Rotberg, chair of ISE’s digital signage summit.
Such is the sophistication of digital signage today that it
can capture key metrics such as how many people looked at the sign, how long
they looked at it for, how they reacted to it and even their gender and age. It
can even modify the messaging in response to that data. Networks are being
managed in the cloud and screens themselves can be morphed into all sort of
shapes, structures and sizes.
Fashion retailer Primark, for example, now features LED
screens rather than merchandise in its front windows, has transformed
escalators into a LED feature and created large video walls on which content is
sensor-triggered to attract the attention of shoppers.
The sector is experiencing a significant amount of
disruption, however, with changing consumer behaviours and expectations driven
by the likes of Facebook, Amazon, Netflix and Google.
Stefan Schieker, managing partner at Result MC, explained:
“These companies taught consumers to use touch, now they’re trying to teach us
to use voice and not to care about owning things, but to share it. That’s
having a deep impact on the retail industry and how we use signage to convince
consumers to do, use and buy stuff.”
Halo is a new voice assistant from Spanish developer Beabloo
that combines AI with conversational natural language processing and computer
vision to present personalised digital screen marketing.
LED makes cinema impact
LED screens are making an impact in theatrical exhibition where the technology
could be an eventual replacement for traditional projection. Direct View LEDs
are now installed in about 20 theatres worldwide.
“Cinema is expected to be one of the fastest growing markets
because Direct View is a potential upgrade path for theatres and because of
digital signage investment in cinema lobby areas,” said Sean Wargo, AVIXA’s senior
director of market intelligence.
Cinema chains are adding more and more technology into
auditoria in a bid to attract more people to an experiential experience. They
have to, since the average cinema-goer in Europe only spends about five hours
in a cinema a year, according to analysts IHS Markit.
“The range of technologies from 4D seating to Premium Large
Format are multiplying in cinemas because there is so much other competition
for our time. It has to grab our attention,” said IHS’ David Hancock.
Fusing physical with digital
The consumer market hasn’t embraced VR because the industry hasn’t nailed the
storytelling, according to location-based entertainment VR expert Bob Cooney,
speaking at ISE’s XR Summit.
Disappointing consumer take up, however, has not stopped B2B
firms from experimenting with immersive technologies.
A successful case-in-point he mentioned was location-based
amusement park, The Park Playground in Antwerp, Belgium which has integrated a
TV series into one of the Park’s experiences, involving a bank robbery that
goes wrong.
Futurist Amelia Kallman predicted that WebAR – which uses
mobile devices to provide Pokemon Go-style augmented reality experiences –
will be one of the biggest trends in AV in 2019.
“For years retailers have tried to bring physical and
digital experiences together. Now, you will be able to create events such as
scavenger hunts in-store, which people can share on social media.”
The fashion and luxury brands industry is eyeing AR with
interest. In one experiment, the London College of Fashion worked with LucasFilm’s
immersive entertainment lab on a series of digital garments. The college’s head
of Fashion Innovation Agency, Matthew Drinkwater, believes that entire virtual
collections could soon be created as a means to engage the public with new
designs.
“In a decade, mixed reality glasses will be consumer facing
and then, when you can add digital content to the real world it will open up
whole new business models.”
Holography is predicted to dominate AV “when someone cracks
it,” says Evan Grant of AR/VR design company Seeper. “The way you can bring
human storytelling into the environment to create a realistic human 3D avatar
or hologram has huge potential. The entire goal is to create a sentient bot
that you can converse with.”
Amy Winehouse will feature as a hologram in an upcoming
tour. A projection of the late singer will “perform” digitally remastered
arrangements of her songs, backed by a live band, singers and what the
production company Base Hologram calls “theatrical stagecraft”.
Adding AI to holography is another AV tech trend. Immersive
experience firm Tiger Heart is working with artist Sara Pope to make a
holographic pair of lips fused with AI. “The idea is to create an emotive
experience where the user engages with the lips,” said Tiger Heart founder Sanj
Surati, who said he was pitching Scarlett Johansson to be the lips’ voice.
“It’s just one example of the fantastic engagement that needs to be transposed
to other parts of AV.”
There was a warning, though. “There will be less than a
handful of AIs in the world,” Grant said. “Amazon, Google will basically give
their AI-hardware away because what is valuable to them is data about all of
us. Developers will have to use AIs from Amazon, Google and in doing so they
become an even greater gatekeeper.”
Holoportation
As in other industries, 5G is anticipated to be a huge game-changer. The
super-speed data network promises realtime collaboration and ‘holoportation’, a
sort of Skype on steroids.
This could be enabled by devices like Microsoft Hololens,
version two of which is due to be announced later this month. In one example, a
person is filmed in 360-degree 3D video with data sent over 5G for viewing over
a Hololens by an executive in another country for a virtual face to face
meetins. This is possiblenow but only when heavily pixelated and with
unworkable delay, but 5G will cut latency, increase quality and render the
experience holographic.
Smart homes
AI and facial recognition will play an increasing role in the personalisation
our homes. That was a key takeaway from an ISE conference about Smart
buildings.
“Smart buildings shouldn’t just automate functions such as
light or temperature control – they need to engage the inhabitants within,”
argued Oliver Lltisberger, managing director of Swiss AV tech provider ABB’s
smart buildings division.
Instead of sensors and interfaces, smart home developers
should think about the performance of people in a space, suggested Michael
Schnieder, creative technology chief at architectural consultancy Gensler.
“It’s not just lights, sound, temperature but people,
storytelling, communities and social elements which are core to smart
buildings,” he said.
Such a ‘human-centric’ approach might mean we’ll have
robotic or holographic avatars as the interface to the smart home rather than
the bodyless voice control of Alexa.
