content marketing for Boxx
Michael Darby of Tricked Out Pictures relies on Boxx Atom to plan and execute unique shots for the most demanding film, TV and commercials
Directors are always on the hunt for fresh angles and open to pushing the boundaries, providing options and implementing complex camera movement solutions is exactly what Michael Darby specialises in.
The Toronto, Canada-based specialist camera operator and supplier has been refining the art of devising and executing complex camera motion for two decades.
He is a key member of iconic production services house Whites (William F. White) and also runs his own services company, Tricked Out Pictures, specializing in aerial cinematography, motion control and Shotover G1 applications.
“Tricked Out Pictures prides itself on offering professional cutting-edge equipment and solutions that meet the high expectations of the next generation of film makers,” Darby says. “My field experience has provided the background to understand production, technical/creative requirements and how best to achieve exceptional results in onset workflow.”
Of the applications for the G1 light-weight gimbal nearly all require robust wireless video from cameras mounted on kit like Zero Electric Bikes, point to point cable cam Dactylcam Pro or M-Series remote controlled cars.
“These applications require multiple wireless systems to be effective,” explains Darby. “If any one element isn’t rock solid then our client won’t get their shot and that leads to the potential of losing the entire rental.”
Darby has made the Boxx Atom system Tricked Out’s default and recommended wireless video solution “If a client wants to use their own it’s on them if there are drop outs or interference with other components,” he explains. “The obvious choice is to go with our complete package. I can provide upgraded antennas for specific jobs and have been able to get video in tough locations using Boxx where other systems have failed.
He continues, “Nothing is more frustrating for an operator, DP or director as losing the image. Other wireless systems on the market can require re-pairing, delay in syncing showing a black screen and so on. But if the Boxx kit is operating in highly challenging conditions there may be some pixilation, but the operator can still make a shot. That alone can save a production additional takes, lost time and productivity.”
The Boxx system also plays well with others. “The frequencies are stable and well defined so as to not interfere with other systems when you plan your wireless integration,” Darby says.
“I’ll continue to rely on the Boxx to make our unique setups work. When I’m hired it’s generally for pretty specialized shots that need to work. They are the shots of the day with potentially elaborate planning and high expectations. We need reliable video so we use Boxx TV kit.”
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