https://www.thebroadcastbridge.com/content/entry/1210/nep-carries-super-bowl-responsibility-over-the-line
There
are select sports which attract an audience far beyond that of the
immediate game or fan base. The Super Bowl is one such event. And all
things being equal, it is on track to exceed last year’s record
111.5 million viewers to become the most viewed telecast not only of
2015 but of all time in the US.
It's
an event that dominates the US TV schedule and dwarfs rival events
like the FIFA World Cup domestically. Super Bowl XLIX will also be
aired in 128 countries in 25 languages, racking up further eyeballs,
even if the event overseas does not rate on a par with a World Cup or
Olympic Games. All in, it's a lot of responsibility for NBC and NEP, the host producer and host outside broadcaster respectively, of this
year's pictures.
“The
Super Bowl has become more of an event outside of what happens on the
field because it's a time when family and friends get together,”
says Mike Werteen, co-president of NEP's US mobile division. “In
the business, everybody compares their production to the scale of the
Super Bowl because it is the most watched event in the US.”
NEP
may send more resources to other events but no event entails quite
the amount of pressure as the Super Bowl. It
will have 27 trailers at the University of Phoenix Stadium in
Glendale, Arizona by the end of next week, servicing domestic clients
NBC, CBS (which hosts in 2016 with NEP as partner), DirecTV and ESPN
as well providing the host feed direct for NFL Films which will
transmit the pictures to international rights holders. NEP will have
70 engineers, drivers and specialist technical managers on-site.
All
the domestic and world camera feeds for the pre-/ match and
post-match will be fed into a central distribution hub (NEP's ESU
truck) and made available for any broadcaster in the compound to
access. One
key discussion is around slo-motion coverage. NBC, says Werteen, is
seeking greater clarity in replays. “There are two ways that can be
done; one is by increasing the frame rate and there are a significant
number of HFR cameras at the game. The second is to use 4K UHD and
integrate that into the 1080i feed.
“Since
every play is so important anything that enables the camera operator
to stay wider so as to not miss any potential action, and then to
have that available as a replay option, is important,” he explains.
“The
sheer technical requirement, the logistics, the number of credential
led staff has grown significantly over the past decade. The domestic
game coverage, the world feed and the half time show – each is an
individual production and all have grown in size and scale.”
NEP
parked its first truck at the venue on January 12. It is providing a
range of services for the shoulder programming for a number of
content aggregators through the week leading up to the game weekend.
Planning
has understandably been in the works for some time. “It
was not coincidental that we built NBC a new truck [ND1] for NBC's
Sunday Night Football coverage in the year that they are in charge of
the host feed for the Super Bowl,” says Werteen. “We knew this
was going to be an enormous year for them. Discussions about the
level of Super Bowl coverage began two years ago.”
NEP's
new flagship ND1 was on the road last summer and is planned to take
the lead in Super Bowl coverage for 2016 (CBS host) and 2017 (Fox
host). It is actually designed as four interconnecting trailers which
can be configured according to a client’s requirement. Its HD
infrastructure is connected to a Grass Valley Kayenne 9 ME mixer,
Calrec Artemis and Apollo audio consoles and 100 channels of EVS
recording on XT3s.
If
anything says the event is not about pure sport it's the half-time
extravaganza where coverage turns from sports to live pop concert.
NEP is in charge of output for this too. Advertisers are expected to
pay $4 million for a 30-second commercial in the slots leading up to
the half-time break.
It's
an exceptionally busy period for the company. This week it is in
Aspen covering the Winter X Games for ESPN and it will send a further
complement of trucks to Scottsdale Arizona for CBS coverage of the
Phoenix Open PGA tournament, which runs simultaneously with the
football game.
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