Friday, 9 June 2017

Should AR really stand for Apple Reality?

RedShark News
After Apple announced a developer’s kit for Augmented Reality at WWDC 17, is the inflection point for AR/VR now within sight? Or is mass market AR and VR beyond even Cupertino's famous reality distortion field?
This time last year the world and his dog were catching Pokemon. And two months later they were not. Just as quickly as it surfaced, the game faded away, but if nothing else Pokemon Go did introduce mobile AR to the mainstream and demonstrated that there is indeed an appetite for overlaying digital creatures on reality. If more proof were needed, the masks and effects overlays of Snapchat continue their bizarre popularity.
Requiring less need for us to rewire our neural networks and less need for bespoke hardware, AR is thought more likely to catch the public’s imagination than VR – initially at least.
Now that Apple has joined the bandwagon the potential for AR to go viral has dramatically risen.
Apple itself boasts that it’s got “the largest AR platform in the world,” and that may well be true – it has about 700 million iPhones alone in user’s hands.
In a blog post, Epic Games CEO Tim Sweeney breathlessly declared, “Where there are a couple million VR enthusiasts today, and early AR hardware from other companies has reached several thousand developers, Apple is bringing this high-powered technology to hundreds of millions of consumers right now... I believe this is truly the start of the mainstream VR and AR revolution.”
Need we add that the AR and VR demos that Apple showed at its launch were based on support from Epic Games’ Unreal Engine 4.
Apple rivals include Facebook, Google and Microsoft. Microsoft's Hololens headset adds digital graphics to a user's real-world surroundings. Facebook sees AR as a potentially huge new communications platform and launched its Camera Effects platform for AR developers in February. Google has been experimenting in AR with products like Google Glass and its Tango platform for smartphones, which uses depth sensing to map environments.
Apple’s developer’s kit called ARKit for iOS enables what Apple refers to as world tracking, which works through a technique called ‘visual-inertial odometry’. Using the iPhone or iPad’s camera and motion sensors, ARKit finds points in the environment, then tracks them as you move the phone. It doesn’t create a 3D model of a space, but it can ‘pin’ objects to one point, realistically changing the scale and perspective. It can also find flat surfaces, which is great for putting digital props on a floor or table.
The Cupertino-based six billion dollar computing giant will battle for a market that could hit over a billion users and $60 billion revenue globally by 2021 according to Digi-Capital.
The analyst states that mobile AR could become the dominant AR/VR market for the foreseeable future, as it solves the five major consumer challenges for AR.
It lists these as ‘hero device, all-day battery life, mobile connectivity, app ecosystem and telco cross-subsidisation’.
Apple may be late to the party but as Frank Gillett, a principal analyst at research firm Forrester pointed out to Time, it has at least one big advantage over its rivals.
"Because [AR] is really computationally intensive and deeply integrated, it's probably going to work best for companies that control the operating system as well," Gillett said.
Even normally sober analysts have gone overboard on AR’s potential. "Augmented reality is the next stage," Tuong Nguyen, a principal research analyst at Gartner told Time. "It's not going to replace what's around, [but] AR is the next user interface step.”
While it will take time to catch on, AR technology will improve such that we may hardly give it a second’s thought when digital information is displayed in realtime over our vision – by glasses, retina display, contact lens – or (if Charlie Brooker’s Black Mirror to the near future is to be believed) by brain implant.
High time then to examine the dark side of AR, which is what University of Southern California did last week. In a presentation at Augmented World Expo, USC’s Phil Lelyveld described how, with AR linked to AI and the internet of things, we are in the process of redefining reality itself.
“We are building experiences under the assumption that we are doing the right thing … or at least that the technology is morally neutral,” he said. “There is a lack of adequate security, an exponential increase of personal data gathered, and embedded bias and psychological manipulation in the AI that may go undetected for a long time.”
If that sounds like so much dystopian scaremongering then consider this observation from Sol Rogers, the boss of production company Rewind which is a Microsoft certified Hololens developer.
“Because the headset knows the geometry of objects in the room where you are - the sofa, the door – we can place 3D objects or characters into that world and write a narrative around it.”
This is dubbed mixed reality and according to Rogers who is playing with the stuff this fundamentally alters our perception.
“Where traditional broadcast drama and much of VR is about depicting a fictional world, mixed reality adds fiction to the world we are in. Since we are so used to building memories of the world with our eyes when you interact with a character sitting next on your sofa your brain tells you that character is there. You are creating memories in a totally new format.”

Is the region full of eastern promise?

AV Magazine

Poor economic conditions have severely hampered business but the region is set for the fastest growth in Europe on the back of EU funds.
Which countries constitute Eastern Europe? InfoComm’s latest Industry Outlook and Trends Analysis report includes the Soviet-era buffer states of Bulgaria, Czech Republic, Hungary, Poland, Romania and Slovakia in Central Europe, pushing Eastern Europe as far back as Mongolia (and roping in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan for good measure). While Europe’s border has moved East, most people still regard Poland as Eastern Europe, making InfoComm assessments a little tricky.
It anticipates that Central and Eastern European AV revenues will grow by a seven per cent and 10 per cent CAGR (compound annual growth rate) respectively 2016-2022. On these statistics, East Europe’s projected revenue makes it the fastest growing of any region in Europe albeit from stagnation since 2008/09.
“The biggest issue is the general economy,” says James Kennedy, operations manager, Peavey Commercial Audio who adopts the more conventional approach to Eastern Europe country definitions. “The Romanian and Bulgarian markets are still very weak but just showing signs of growth.  Poland – which was such an excellent market for us in terms of growth a few years ago – seems to have stagnated, the Zloty/US$ exchange rate being a major culprit. Hungary, which had a bad recession is coming back strongly, though. We saw good state sponsored AV projects last year with some theatre installations being discussed for 2017-18.”
“Most of the region is in a positive position in terms of AV, but the volatile exchange rate has a significant impact on business,” says Melinda Von Horvath, vice-president of sales for Peerless-AV.
Many projects are ongoing and there’s a huge opportunity to upgrade legacy equipment in sports stadia and transport. Examples of this can be seen in Budapest.
Nikola Šostaričová, K-array product specialist and ceo of distributor, SOONN spots a recent upward trend in pro AV in Czech noting increased demand for projects from architects and general designers. He expects a slight increase in sales of medium and high quality pro AV components.
Poland is a “steady market”, according to Boguslaw Klodzinski, area sales manager, Vivateq (RTI’s European Distributor). Most turnover comes from the public sector because its revenue is tied to tenders from the Polish government.
“The biggest hurdle has been the new parliament (elected a year ago) which has slowed the launch of new public tenders for universities and public institutions and put a significant number of AV projects on hold until funding comes through,” Klodzinski says. “As a result, our dealers keep postponing the integration of these projects from month to month. Dealers fear that the number of projects will decline, putting AV companies in heavy competition for them. If the situation continues, then within the next few months, we expect these companies will reduce the price for labour and their subsequent margin for these projects.”
EU funds to the rescue
An EU purse worth €200 billion 2016-20 is kickstarting activity. “For the last twelve months there’s been a lack of public money spending causing most AV companies (in the region) to drop in turnover around 20 per cent from 2015 to 2016,” says Serge Philippo, Crestron’s regional director. “The overall state of pro AV seems to be in good condition though as EU funds are spent.”
Since Poland is a recipient of European funds dedicated to advancing culture, several cities are interested in integrating AV solutions and adding AV staff into existing museums “as a way to modernise the facility and draw more frequent visitors,” says Klodzinski. “In this sector they’re looking to incorporate total AV systems that tie together control and signal management.”
In market areas controlled by the state and using EU subsidies such as universities, administrative and cultural centres and museums, the selection of AV technology is based on tenders where the main evaluation criteria is price.
“Most AV technology supplies are delivered through large construction companies that try to get the best price from AV system integrators,” says Šostaričová. The usual margin for these companies varies between 25 and 35 per cent of the prices set by the project. “This reduces the quality of AV realisation because the supplier is forced to look for alternative solutions.”
Capital cities concentration
It’s noticeable that rental and staging is booming in Poland since it doesn’t have to deal with public tenders. “Many of our dealers are performing services and shows for bigger companies both within Poland and abroad,” reports Klodzinski. “Growth is also visible in the residential/home cinema space. Almost all the companies that also focus on residential AV are busy and handling some nice projects.”
Prague, Warsaw, Bratislava and Budapest, concentrate the most AV because that’s where state ministries and decision makers are located.  Russian AV projects really only happen in Moscow with some in St Petersburg.
Price sensitive
The region remains a very price sensitive market with sales traditionally composed of entry level local solutions, agrees Horvath. Basic local manufacturing means manufacturers outside the region “must have a better quality and competitive price proposition” to compete.
In terms of volume, the market is still below that of Western Europe, which means even Eastern European AV brands look west. “The most serious requests and orders come from overseas and Western Europe,” says Agnes Szentannai, project manager at Hungarian projection mapping specialist, Maxin10sity. “The vast majority, if not the whole of our business, comes from these areas.”
Since AV “is not widespread” or ingrained in East European business culture, local AV innovators, such as Maxin10sity, have to face internationally.
“There are not many requests from our own country primarily because of budget restrictions, while a lot of opportunities are offered abroad. So, we think globally when it comes to establishing an event, not limited to the East European market.”
The practical expertise of AV professionals in the region means there is a definite market for higher end quality products, reckons Horvath.
“Demand for sophisticated functionality and pleasing aesthetics is a trend that continues to grow,” she says. “Interest and demand for AV technology, for example LED, in education, transportation and stadia is showing positive signs of growth. Safety testing is recognised as being more important now for work in the public domain.
“However, sometimes these requirements are underestimated by the local specifier or installer, which often try to win the installations via ‘low price alternatives’, rather than fully understanding the needs of the end user and the importance of the quality, servicing and installation. Over time, and just like in more developed markets, we expect this to change.”
If the biggest opportunity for the region in the next few years is the opening up to EU funds, the biggest challenge is to convince end users of a proper quality solution that will suit their needs.
“Unfortunately, the knowledge of end users regarding AV is very low which is why they are not able to recognise which solution is better and which is worse,” says Philippo. “Usually end users don’t use consultants either for their projects so actually they don’t know what they are buying.”
He says the situation is getting even worse. “When it comes to public tenders, where the tender specification must be open enough to allow offers from at least two manufacturers, end users do not know which specification is allowed and which is not. Without the help of a local integrator, they may end up with a bill for professional equipment and services, but low-quality systems and no service.”
That said, there is potential in the local market. iMapp Bucharest is a projection mapping competition on the façade of the Palace of Parliament Bucharest where Maxin10sity is the event’s art curator.
“As far as creativity is concerned, the artists from Hungary are pioneers in the projection mapping business and they have been dealing with creating such shows right from the beginning,” says Szentannai. As a result, (Maxin10sity) can offer extremely experienced and skilled artists for this application technology.
The SIGNAL Festival in Prague, an annual light festival held in October, is now the largest cultural event in the Czech Republic co-organised by the city of Prague and the government. Last year’s event drew over half a million people according to Cisco, one of the participants.
In Poland, AV integration companies and projects are concentrated in Warsaw and Wroclaw, followed by Krakow, Poznan, and Gdansk/Gdynia. “Warsaw and Wroclaw are a result of a strong technical university presence, which produce students who are familiar with the benefits of technology, and go on to establish AV companies,” says Klodzinski.
The eastern part of Poland is receiving “a significant contribution” of EU funds to activate this part of the country. “The biggest opportunity Poland has is being part of the EU, and because of the availability of funds, even in smaller towns people can see the footprint of those investments,” says Klodzinski. “AV companies have a great opportunity because those funds have been earmarked for specific applications where AV solutions are needed.”
Russian/Chinese influence
The region’s economy tends to ride and fall with the centrifugal force which is Russia. The country has had its own sanctions/currency issues with the Rouble devaluing three fold against the US dollar over the last two years – but it’s now relatively stable. This stability, albeit valuing the Rouble at half what it was in 2014, has led to a number of projects being restarted.
InfoComm anticipates that the country’s economy will cease to contract in 2017, and nudge up against two per cent growth in 2018. While any number of unanticipated factors and risks may derail Russia’s return to growth, the region’s AV segment as a whole has shown an ability to weather systemic contraction in Eastern Europe’s largest marketplace, InfoComm suggests.
The 2018 FIFA World Cup stadia building programme has led to a lot of activity, including the build of 12 stadiums and major investments in transportation infrastructure, public spaces, and hospitality in and around the host cities and major tourist venues.
All venues undergoing construction or renovation are to be certified with a Russian or international green-building standards. The Luzhniki Stadium in Moscow, Samara Stadium, Nizhny Novgorod Stadium, Volgograd Stadium and Saransk Stadium have already been certified in accordance with the BREEAM standard.
“The emphasis (of the WC2018 activity) is on locally made product, but designed elsewhere,” reports Kennedy. “It is common knowledge that a certain US company is having speakers built in Moscow for the installation in Luzhniki.”
China is investing in the region, particularly infrastructure, as a means to reduce the transport time for shipping Chinese product to west Europe markets. It is, for example, financing the $2.5 billion Belgrade-Budapest high-speed railway and the Industrial and Commercial Bank of China has set up a 10 billion Euro ($11.15 billion) investment fund to finance projects in Central and Eastern Europe.
Case study: Moscow Metro & bus service
Zytronic supplied nearly 700 touch sensors for self-service ticket machines installed on the Moscow Metro and at Moscow bus stops. The 17 and 19 inch sensors were supplied by Elatec to Russian SI Progressive Self-Service Systems, and are part of a roll-out which will eventually extend to over 1,600 machines. The terminals are designed to operate reliably all year subject to the extremes of Muscovite seasons where temperatures can range from -30 to +40 degrees C. The touchscreens still detect the touch of a user wearing heavy winter gloves. Half of all tickets are now sold through the machines since installation.


Thursday, 8 June 2017

ITN Productions looks to innovate with athlete data

Broadcast 
ITN Productions is exploring ways of capturing telemetry from sensors worn by competing athletes and presenting the data to fans on digital platforms.
The data would potentially include medically sensitive information about an athlete’s heart rate, breathing rate, stress levels, body temperature and g-force.
Currently, such data is deemed private and there are limitations on placing technology such as sensors on competing athletes. However, these limitations could soon be removed.
“We want to innovate in this area to provide a more in-depth view of an event than ever before,” said Tim Godfrey, partnerships director for sport at ITN. “Federations and governing bodies are keen to innovate too since they recognise that from a fan’s perspective, such data increases the sport’s accessibility.”
ITN Productions was host broadcaster of the IAAF World Relays in the Bahamas in April. It is separately testing several different “medical grade” sensors and devices. The company would also assign a specialist to any future production to assist in the interpretation and presentation of the data on screen.
“It is crucial that human data is measured and used in the right way to ensure its accuracy,” said Godfrey. “That means using medical- grade equipment, not commercial off-the-shelf devices. We will employ experts but, ultimately, we would want our graphics operators and producers trained to understand the data.”
Heart-rate monitors have been previously fitted to key members of Formula E racing teams, including drivers and team bosses, to see how their stress levels rise and fall during the crucial opening lap of an ePrix.
Similar data could be gathered from athletes lining up at the start of a 100-metre race, Godfrey suggested. “Clearly, the athletes have to be comfortable wearing the sensors and sharing certain data,” he added.
“There are questions about handling the data – for instance, for competitive reasons, some data might be best added in highlights – and about how it can be monetised or used commercially. However, there is a loosening of the boundaries in a lot of sports and the tipping point [for body-worn sensors] is on the horizon.”

TVT takes on Ericsson and Deluxe with Access Services launch

Broadcast 
Managed media services provider TVT is launching an Access Services arm to compete with Deluxe and Ericsson in the international market.
Initially targeting the UK, TVT plans to open a LA office by the end of the year to continue to service clients like Netflix and A+E Networks.
“In the UK there is extensive regulation where 80 channels require access services to comply with Ofcom rules around subtitling and audio description,” said David Padmore (pictured), previously head of Access Services at Ericsson who joins TVT as International Advisor.
“We believe there is room for a brand new option and that our good relationship with a lot of UK broadcasters means we are well placed for that.”
TVT provides content management and compliance services for UKTV and BBC Worldwide, among others.
While directly addressing the deaf, blind, hard of hearing and partially sighted audience, TVT plans to help broadcasters take greater advantage of resulting metadata like audio description.
“There is plenty of scope for us to manage and present files back to broadcasters and enable them to use rich metadata as part of their archiving, content mining and internal discovery processes,” said Padmore. 
The core of its access services offering will be based on ContentSelect, TVT’s internal content management platform. Development includes adding speech recognition tools and artificial intelligence engines to automate some of the processes.
The firm said it doubled revenues year-on-year for the quarter ending March 31 without revealing details.
TVT was founded in 1994 and remains a privately held company of 270 employees. It also runs offices in Japan, Singapore and Australia. 

Monday, 5 June 2017

Will realtime HDR conversion unlock the broadcast back catalogue?

RedShark News
One of the problems of any change in format is what to do with the back catalogue, and HDR is a problem for broadcasters, partly because no one saw it coming. 
While there’s still an uplift in cost associated with mastering in HDR, since doing so is largely tied to shooting 4K and therefore there’s a knock in post production time and storage, TV execs are becoming increasingly interested in the possibility of converting existing footage to a HDR signal with higher brightness and richer colours. Indeed, it might not be too far into the future where they might have to, as HDR set peneration becomes the norm.
A solution to doing just this has been developed by French research lab bcom, (which styles itself b<>com) and is uniquely claimed to be able to do it in real-time while preserving the artistic intent. It's [SDR-to-HDR] is aimed at broadcasters who want to mix SDR to HDR live sources and convert legacy content to HDR. It is also intended for live playout of SDR interstitials in an HDR programme and up-conversion of legacy channels to HDR.
The bcom technology is based on an algorithm which makes smart use of the target display’s high dynamic range while preserving the original style of the source SDR video. The resulting HDR file is packaged for broadcast with the two main HDR standards — Hybrid Log Gamma (HLG) and Perceptual Quantizer (PQ). 
Although HDR is recognised as increasing the contrast, colour saturation and feeling of depth in HD and UHD images, little content is being produced in HDR and therefore available for distribution. At the same time, the number of screens in people’s homes which are HDR-compatible is on the increase as the function is now a de facto feature of all new TV sets. 
While not miraculously able to summon more pixels or information from SDR footage, bcom’s algorithm is able to boost the brightness (luminance) of SDR so that it will display better on TVs which are capable of illuminating up to 1000 nits and beyond.
Broadcasters may look favourably on a technology that enables them to remaster any colour programme — or film — and breath new life into the archive by offering it on an HDR-channel or for a little extra fee on VOD.
Since a prototype went on show at IBC2016 and at NAB in April — where it picked up the Technology Innovation Award — the technology has been implemented on a FPGA. This is where the real-time capability comes in as on a PC, the conversion of one minute of footage from SDR to HDR using the system takes over three minutes. Meanwhile, bcom has also been developing a cloud-based software-as-a-service version using Linux technology to scale the process up.
Other possibilities, such as a real-time converter attached to an existing SDR-camera or simply licensing out the IP are also being considered according to tech website Ars Technica.

DOCSIS 3.1 Full speed ahead

Digital TV Europe
Advances in DOCSIS technology can help cable squeeze more life out of HFC networks, but how do the costs and benefits stack up for operators? 
With global IP traffic expected to grow at a rate of 22% to 2020, to effectively accommodate ever-growing bandwidth demands cable operators are investing heavily in their existing hybrid fibre coaxial (HFC) networks and in new fibre networks.

The Data Over Cable Service Interface specification is the industry’s long-term initiative aimed at incrementally increasing data carriage capabilities over coax. Version 3.1’s core promise is to provide 10Gbps downstream (10 times faster than the previous version) and 1Gbps upstream. 
Although multi-service operators can develop networks based on optical fibre to the premises (FTTP), the majority are currently focused on deploying DOCSIS 3.1. 
“This requires minimal investment and works with proven technology such as CMTS, already available,” says Nik Dimitrakopoulos, market segment manager audio and video, Rohde & Schwarz. “Furthermore, DOCSIS 3.1 utilises the frequency spectrum much more efficiently than its predecessors thus reducing the cost per-bit transmitted in the households.” 
Several MSOs are beginning to deploy DOCSIS 3.1 in earnest. These include Cox Communications, Rogers Communications, Liberty Global, Charter Communications and Shaw at various stages of planning, testing or in commercial deployment. 
For Swedish operator Com Hem it is a “high priority”.  Following its CCAP (Converged Cable Access Platform) rollout, the Swedish MSO is testing DOCSIS 3.1 to a few thousand customers and will begin a “massive scale” rollout by end of the year for completion in 
Helbo intimates that the operator doesn’t see much consumer demand for even higher speeds, but fibre providers have been ramping up their advertising to boast of greater speeds, and that has forced their cable competitor’s hand. 
“The bandwidth that customers are actually using and that which the market is asking for are two very different requirements,” he says. “We currently have 1Gbps downstream on DOCSIS 3.1. It’s not very high profile and not something we’ve promoted to customers but it is available for when we need it.” 
Liberty Global meanwhile plans to have DOCSIS 3.1 up and running by the end of the year. Virgin Media in the UK, for example, has already begun its DOCSIS 3.1 rollout. It’s worth noting that Virgin Media’s £3 billion (e3.5 billion) Project Lightning network expansion, which aims to cover around 60- 65% of UK homes and businesses by the end of 2019, includes about two million premises that will be covered via FTTP technology. Virgin Media will maintain compatibility with DOCSIS by using the Radio Frequency over Glass/RFoG technology developed to enable operators to roll out fibre while providing broadband from a unified headend infrastructure. 
“We’ll do most of the networks in 2018 and that will come with the first 1Gbps services in the majority of our markets,” Colin Buechner, managing director at Liberty’s Access Network division told Cable Congress in March. 
One of those markets is Germany, where Liberty Global subsidiary Unitymedia has begun a DOCSIS 3.1 rollout starting in the city of Bochum. However, Liberty Global SVP and CTO Balan Nair has said that the firm will initially target higher-end customers with the service, due to the current high costs of DOCSIS 3.1-based consumer premises equipment (CPE). 
Stefan Vanhastel, head of marketing for fixed networks at Nokia also says that upgrades involve hidden costs. “DOCSIS 3.1 requires many components to get to 10Gbps, including spectrum availability or frequency extensions up to 204MHz upstream and 1.2GHz for the downstream channel – with further possible expansion to 1.8 GHz in some cases – as well as potentially substantial infrastructure upgrades to realise the highest coding efficiencies. As a result, we see many cases of gradual introduction and maybe the full benefits will require a move to a different architecture.” 
At the RF layer there is a major shift to OFDM (Orthogonal Frequency Division Multiplexing) signal technology on both the upstream and downstream frequencies and multiple profile support within a single downstream channel. 
“These changes bring new testing requirements across the whole eco-chain of DOCSIS 3.1 from network operators, to CATV amplifier makers as well as cable modem and chipset manufacturers,” says Dimitrakopoulos, all of which is adding cost. 
Arris disagrees with this analysis, however. “The economics of migration are not driven by the economics of the kit itself but the cost of construction and replacement of cable if required to dig it up and replace with fibre. That cost can be astronomical in Europe where most cables are buried,” says Cornel Ciocirlan, CTO EMEA at Arris. 
“It’s not a forklift upgrade,” says Belal Hamzeh, VP of wireless technologies at cable industry technology standards organisation CableLabs. “We developed the technology to be backwards-compatible so that MSOs can pre-seed a network, with DOCSIS 3.1 modems which will operate with 3.0. Right now, operators are focused on 3.1.” 
Arris’ SB8200 modem, (which Comcast and Cox have approved), for example, will support both DOCSIS 3.0 and 3.1, enabling MSOs to build momentum by deploying them in existing networks. 
“For many operators, the shift from 3.0 to 3.1 represents a change not only in the protocol don’t put any amplifiers between the node and the home), Remote PHY or Remote MAC PHY, Remote PHY shelf, RFoG, Node PON, EPON and GPON, and so on. 
According to Ciocirlan, MSOs will pace their rollout based on how subscriber usage evolves and the availability of capital investment. Some operators plan to spend as much as US$1 billion (e900 million) in each of the next few years to address the demand they are experiencing, Arris suggests. 
Arris highlights a number of pressing factors impacting MSO decision-making. These include headend capacity – where space, power and other facility considerations constrain the ability to add more equipment, operators have two choices: seek denser more itself, but in the approach to architecting their entire DOCSIS delivery chain – from the headend to the outside plant and home gateway components,” says Ciocirlan. 
Operators are choosing from a number of new approaches based on the nature of their deepening fibre deployments and their desire to make more efficient use of headend facilities. Arris claims to have a unique perspective on the aggregate decisions that these operators face, due to its work in DOCSIS 3.1 deployments and the success of its E6000 CCAP platform. 
“Our operator customers look to us for evolutionary pathways that enable them to make full use of their HFC plant and fibre deployments, while building on their installed base of E6000s and their outside plant,” says Ciocirlan. “One of the biggest challenges we see is that there is no one decision path to choose from that is expected to reach the market in the next few years.” 
In other words, operators will choose different approaches, including HFC with Node+0 splits (fibre deep HFC networks that power efficient solutions or move capabilities and functionality into the outside plant. This is one of the cases for Remote PHY. 
Economics is also a factor. Capex and opex costs come into play as operators replace old equipment (nodes, amplifiers, and headend equipment) and move to support 1.2GHz and 85MHz return expansion. Where this requires new equipment and truck rolls, it creates an imperative to minimise the number of times outside plant has to be accessed while making service groups smaller to cope with the increased bandwidth demands. 
In the case of greenfield rollouts, it makes economic sense to put in FTTH from day one, especially as replacing coax to a home with fibre can cost as much as €900 per home passed. PON becomes the logical choice here, especially when the system can still support DPOE (the DOCSIS spec for cable modem provisioning at the headend). Similarly, for urban multi-dwelling units where fibre can be pulled past a high density of subscriber dwelling units, PON may be more efficient from a capacity and cost perspective. 
Depending on the socio-economics of neighbourhoods, pulling the intelligent, expensive components back into the secured environments and using lower-cost outside plant systems can allow operators to manage failures and loss while offering similar traffic and service level performance. Operators’ range of approaches will also be impacted by silicon availability, finalisation of specifications, and levels of testing required to verify deployment capabilities. 
“In many cases, the transition from one stage to the next can be accomplished with simple software upgrades, permitting the operator to activate the change in a convenient, cost-effective fashion,” says Ciocirlan. “This enables operators to select their ideal architecture as they look to support multi-gigabit data services and migrate from QAM to IP video services without having to make massive changes to their provisioning and headend systems.” 
The fundamentals of technology deployments may not have changed. FTTP still means high investment costs, but is economically competitive for new networks. Cable upgrades offer lower deployment costs in areas with completed infrastructure, and arguably their capacity potential make them competitive for years to come. 
In certain countries, a pending analogue TV shutdown may also increase the capacity of existing DOCSIS networks and this has already made some operators postpone their network upgrades, according to network solutions provider Teleste. 
“On the other hand, many consumers may still be willing to pay for services like FM radio,” says SVP of network products, Hanno Narjus. “Fibre is the future of networks in the long run, and fibre networks can also carry DVB-C based TV delivery. However, operators need to consider how to provide their customers with reliable, high-performing broadband services today. The investments will be determined by which services customers are willing to pay and how much they are willing to pay. Eventually, consumers will decide which services they want, and those decisions will affect which technologies will bring reasonable returns on investment to operators.”
Part of that equation will be based on value for money, not just the number of Gigabits, which has recently dominated network investments. 
“Service quality is becoming a competitive advantage for operators in addition to sufficient transmission speeds,” says Narjus. “To achieve better service quality, operators need to deploy solutions that will improve network operation overall. Such solutions include proactive network maintenance and devices using intelligent HFC technology.”
“In practice, the only real options for fixed broadband networks today are fibre [FTTP] and cable [including DOCSIS 3.1 and Remote PHY], and it is difficult to see how supporting multiple technologies simultaneously would be a rational path to take for the majority of operators,” says Narjus. “However, the situation changes when we are talking about the last mile of the network. In future, we will see networks with a fibre backbone and, for example, the last mile in coax. We will also see versatile options and technologies for last mile network implementations.” 
Remote PHY is one option in the spectrum of functionality an operator can put into remote nodes. It pushes more intelligence deeper into the network while a central CCAP platform performs the higher layer processing. CCAP and R-PHY both have the benefits of lowering capex and opex for operators and making the network more efficient. 
“While DOCSIS 3.1 allows cable operators to better compete [with rival operators] on speed, it lives up to its true potential when complemented by a remote PHY deployment,” says Asaf Matatyaou, VP of solutions and product management for the cable edge business at Harmonic. “Cable operators can continue to invest in technology that extends the life of their existing network and simultaneously prioritize the deployment of technologies like DOCSIS 3.1 and R-PHY based on where they’re feeling the most pressure from customers or other providers.” 
Harmonic’s software-based CableOS solution addresses these challenges “by enabling the migration to gigabit capacity while also providing the benefits associated with distributed access architecture, in addition to immediate virtualisation advantages for centralised deployments”, says Matatyaou. 
Arris, Cisco and other vendors will want to continue selling CCAP equipment but there is an alternative to R-PHY. This is to use a virtual CCAP device that is also designed to push many of the functions of a DOCSIS-powered cable network closer to the network edge. The goal is to miniaturise and virtualise the functions of a CCAP chassis so that more of the cable network can be software-controlled, and operators can save both space and power in the headend. 
Nokia is pursuing this approach via Gainspeed, a US start-up it acquired last year. “We have a strong believe that the economics are not sustainable based on a centralised architecture and that cable operators will require a move to distributed architectures,” says Vanhastel. “We are working hard with the standards committee at CableLabs toward standards which we think will be ready end of year with potential to trial early 2018.” 
Nokia’s unified cable access solution leverages Software Defined Networking (SDN) techniques to virtualise the CCAP, completely eliminating what it terms ‘Big Iron’ hardware from the headend and delivering a sevenfold reduction in rack space and an eightfold reduction in power comsumption. 
The solution also replaces legacy analogue optical transmission with 10Gbps Ethernet and supports both last mile access for both cable and fibre. 
Nokia says Gainspeed’s cable access products are designed from the ground up to support DOCSIS 3.0 and DOCSIS 3.1 and the approach is “particularly well suited” to implementing Full-Duplex DOCSIS. 
Moreover, Nokia Bell Labs has already demonstrated, via a proof of concept in 2016, that providing 10Gbps symmetrical services over HFC networks is a real possibility for operators. 
DOCSIS 3.1 is considered a necessary first step toward bringing data-hungry technologies such as augmented reality, UHD 4K television, ‘tele-existence’, medical imaging and advanced gaming systems to cable customers. 
The evolution of this, Full Duplex DOCSIS (FDX) is a bit further away and will require a total rework of network topology. Development of Full Duplex is also slowed down by the fact that symmetrical transmission speeds don’t yet seem to be important to consumers today. “We see growth downstream of 40-50% a year and below 10% in upstream traffic,” notes Com Hem’s Helbo. “While services don’t yet require it there is a need in the market to claim you have symmetrical speed so you can be ready when demand does come.”

Com Hem will begin the first phase of installing FDX in 2018. Virgin Media reportedly has this timeframe in mind too. Rather than requiring a cable system to separate spectrum dedicated to the downstream and the upstream with a traditional ‘split,’ FDX will enable dual-use bands for traffic that runs in both directions. FDX will also require an N+0, passive network, which fits in with the plans of some operators to pull fibre deeper and remove the active amplifiers present between the node and the home.
“Today, there is no critical need for a symmetric tier since traffic is much heavier on the downstream than upstream but MSOs looking to the future for a symmetric service tier will be able to offer it,” says Hamzeh. 
DOCSIS 3.1 and Full Duplex DOCSIS hold out the promise of keeping cable competitive, but there are alternative broadband technologies – not least 5G, which could serve as a fixed-line substitute. 
“MSOs will have to make a judgement about the merits of fibre, cable and 5G when it comes to bandwidth and quality of service in different cases. 5G can give you faster time to market, since you don’t have to dig up the street, but fixed may well give you an order of magnitude in terms of speed,” says Hans Slabbinck, product line manager, MSO access, Nokia. 
While 5G will probably emerge as a substiture for fixed line access in rural areas, it will also require backhaul over fibre, and as CableLabs’ Hamzeh points out, wireless can still be subject to bad weather and obstructions. 
“You have to keep in mind it’s not like fibre or wireline is standing still,” says Hamzeh. “We are still developing and pushing higher capacity to the end user.” 

Thursday, 1 June 2017

BT Sport reveals plans for live VR football

Broadcast
On the eve of delivering one of the world’s largest live multi-cam VR/360 productions, BT Sport has revealed plans to add live 360 coverage of English Premier League (EPL) and Uefa Champions League (CL) matches from next season.
Speaking to Broadcast, BT TV chief operating officer Jamie Hindhaugh confirmed that VR would form “part of its overall coverage” of EPL and CL matches. He said its 360 production of the Uefa Champions League final from Cardiff on Saturday 3 June will be a “step change” and a template for its future coverage.
Nine months in planning, the production builds on tests the broadcaster has carried out at EPL games this season. 4K feeds from 12 Nokia Ozo VR rigs – each with eight lenses – will be supplied by Uefa production partner Deltatre and fed to BT Sport’s dedicated mobile VR truck on-site.
For the first time in a BT Sport production, VR graphics will be inserted live. Created by Moov, these include graphics for clock, score, team sheets and substitutions. Moov has also created a ‘jumbotron’ screen within the 360 feed that will display a live linear feed of the match as well as studio analysis.
Dedicated commentary is being produced in the VR truck from a touchscreen interface. “The commentator has been specially trained in how 360 works so that they can navigate the 360 picture and understand how to deliver the best user experience,” said Hindhaugh.
In another break from tradition, a SAM LiveTouch server rather than an EVS machine is handling highlights and replays for the 360 coverage.
The rigs placed around the Millennium Stadium pitch will include one positioned behind both managers and in front of the substitutes’ bench.
“When a goal goes in, you can see what the bench is talking about and what the feeling is like,” said Hindhaugh. “The match-day direction is broadly the same as for an HD game, except that at any time the viewer could move around the 360 view and look behind them.
“Since we can’t zoom in or get conventional close-ups with VR cameras, the director has to make sure that they follow the action from the nearest camera. That’s why we need so many.”
This ‘curated’ or produced programme is being output to YouTube for the first time. Viewers can download the BT Sport VR app and select their own viewpoint from eight camera angles.
BT Sport is also offering a curated 360 feed for other broadcasters on behalf of Uefa. “We are looking very seriously into how [VR/360] becomes part of our overall linear operation,” said Hindhaugh, who favours the curated feed over user selection.
BT Sport has already trialled live rugby in 360 and produced boxing bouts for 360 VoD. It will enhance its own coverage of future CL ties with live VR/360 in partnership with Deltatre.
BT Sport has also trialled production with VR firm LiveLike.
“My long-term editorial vision is about short sharp shocks rather than watching a whole 90 minutes of a match in 360,” Hindhaugh added. “360 is an accompaniment to the main screen for when you want to see a different angle on the action. People need to be realistic about that.”