Wednesday, 28 April 2010

Interview – Epson’s home cinema offering

Installation International
http://www.installation-international.com/interview-epson-s-home-cinema-offering/
Although its business projectors are better known than its home cinema models, Epson is experiencing rapid growth in the residential market. Valerie Riffaud, projectors senior business manager at Epson Europe, talks to Adrian Pennington about the company’s residential offering – and how custom installers can add value.

Q: How would you characterise Epson’s approach to the home cinema market?
A: This is a smaller segment than our business portfolio but nonetheless of vital importance to us since it is growing rapidly. Whereas a few years ago the market was characterised by affluent early adopters who had a dedicated entertainment or viewing room, now many more consumers are attracted to home cinema as the content and the technology permits a range of exciting options. It has also come within the budgets of more people.
Q: How are you working with distributors and custom installers?
A: We found that there were quite a lot of old-fashioned ideas in the market about projection such as the necessity to have a complete blackout room, or that lamps wouldn’t last longer than a month. We work with a range of dedicated specialist installers who know the market and can provide the education that it needs to open the market up.
Q: What are your chief product lines?
A: Broadly we offer a combination product which includes a DVD player and speakers as an integrated plug and play for the family market at a resolution of 540p. Next up is a 720p product which suits those interested in watching live sports on a big screen at a high resolution. Where the market is really taking off is in HD 1080p. This is because content from broadcast to packaged Blu-ray and gaming is increasingly full HD. The knowledge that the consumer has about HD has also grown – they are requesting 1080p. Specifically we offer four products in the range – at the higher end this includes the EH-TW5500 which has the highest contrast ratio on the market at 200,000:1. The 1080p market has grown nearly 40% year on year and is estimated to grow another 50% this year largely because the World Cup provides a fantastic opportunity to showcase home cinema capabilities.
Q: How can custom installers add value to these products?
A: Our home cinema specialists are really knowledgeable. They bring support for installation projects into homes which can often be complex and involving masking of equipment and wires so that it fits the dÈcor to ensuring that the projection system talks seamlessly and reliably with all audio and hi-fi systems, with wi-fi if appropriate and with the source content provider or Blu-ray device. Customers will respect a custom installer who understands what they need and can deliver on that promise – and what’s more who deliver strong after-sales service.
Q: Are you developing a stereo 3D option?
A: 3D is something we are working on. The fact is that 3D is a very new technology and integration into product should be planned carefully. Epson is highly end-user and usability focused but today there are several different formats, different glasses requirements which requires a lot of understanding from a custom install let alone an end user perspective. We are working on a 3D-capable product for the mid-term but we want to be sure that we release one fully capable of supporting all formats and solutions and not just launch into the market for the sake of it.
Q: Are there any technology trends you have spotted?
A: The emergence of high-spec, high quality imaging in small and lightweight projectors has the potential to revolutionise the market. Even in Paris where there are many small apartments we can now intrigue customers with the real possibility of having a projection system in rooms as small as 20sqm. You don’t need to project from 500 metres away to deliver high brightness, high resolution onto large screens.





























Tuesday, 13 April 2010

Annova’s OpenMedia to deliver World Cup news


TV Technology

German public broadcasting group ARD is supplying a mobile OpenMedia system to its journalists for use during coverage of the 2010 World Cup. OpenMedia is newsroom management software developed by Annova Systems.
ARD affiliate Südwestrundfunk (SWR) has implemented a mobile OpenMedia editorial system to support planning, scheduling and production. Planned contributions include broadcasts from the German national team camp, press conferences, games broadcasts and background reports. The journalists on-site receive their own agency information and access to all sports schedules of news agency DPA. Schedules can be directly imported and managed in the OpenMedia EventCalendar. The workflow includes weekly and daily planning as well as a broadcast-planning system based on content containers. The broadcaster’s editorial office and broadcast control room at SWR headquarters (Baden-Baden, Germany) are directly networked with the OpenMedia system in South Africa and are always linked to the current flow of the broadcast.
SWR previously deployed OpenMedia during the UEFA Euro 2008 championships in cooperation with the Bavarian Rundfunk.
- See more at: http://www.tvtechnology.com/news/0086/annovas-openmedia-to-deliver-world-cup-news/227461#sthash.dT5fAzCB.dpuf

Tuesday, 6 April 2010

Arqiva to support SNG for ESPN



TV Technology

UK-based telecommunications firm Arqiva is supporting ESPN’s distribution of World Cup coverage by providing the network with extensive SNG services. This includes two HD SNGs, two SD SNGs, one HD/SD production SNG truck, two TVROs and an HD flyaway. The SNGs, all fully crewed by Arqiva engineers, will move between venues uplinking news and information content for production and turnaround to ESPN’s global audience.
Jon Kirchner, executive vice president at Arqiva, said, “We are delighted that ESPN has chosen Arqiva to support their distribution of this prestigious sporting event to audiences around the world. By deploying the bulk of our extensive SNG fleet and personnel to South Africa, we are ensuring that our customers have direct access to the highest levels of Arqiva service throughout the tournament.”
With a fleet of SNG trucks and more than 100 earth stations at multiple teleports, Arqiva regularly enables the managed global delivery of live and special events like major football tournaments.
- See more at: http://www.tvtechnology.com/news/0086/arqiva-to-support-sng-for-espn/225974#sthash.ZEW4m9bX.dpuf

Thursday, 1 April 2010

Grass Valley wins lead equipment contract from Host Broadcast Services for World Cup


TV Technology
As it was for the FIFA World Cup Germany 2006, Grass Valley is the lead equipment supplier to the host broadcaster for the 2010 World Cup. It will provide 290 HD broadcast cameras, 43 production switchers, 1200 modular cards and three routers.
Grass Valley is being contracted by Host Broadcast Services (HBS) to supply and deliver (to the HBS designs) the identical technical infrastructure for the tournament’s host production, including 10 technical operations centers and 10 outside broadcast (OB) facilities to which the operations centers are integrated.
In turn, Grass Valley outsourced the build of the operations centers to Gearhouse Broadcast, and HBS asked Grass Valley to contract the OB build to Alfacam for Durban, Port Elizabeth, Johannesburg/Ellispark and Pretoria venues; Studio Berlin for the Johannesburg/Soccer City and Rustenburg venues; CTV (part of the Euro Media Group) for Polokwane and Nelspruit; VCF France (also part of Euro Media) for the Cape Town stadiums; and Spain’s Mediapro to deliver for Bloemfontein.
“The biggest challenge from a conceptual point of view is to manage the increasingly complex production requirements for the World Cup with multifeed productions and integration of feeds from more specialty cameras,” according to Grass Valley representatives. “This goes hand in hand with the new technical concept of a container infrastructure replacing the traditional OB vans, providing separate production areas with improved working environments for the international production teams.”
Grass Valley’s provisions for each of the 10 OBs are as follows:
  • Multilateral production: Nineteen LDK 6000/8000 WorldCams, including 2 wireless versions and one dedicated to the mobile TV feed, and six LDK 8300 Super SloMo cameras (60 in total);
  • Unilateral production: Two LDK 6000/8000 WorldCams, for possible interviews on the sideline or special coverage of a player for individual broadcasters and not used in the multilateral world feed;
  • Infotainment: Two LDK 6000/8000 WorldCams, feeding large-screen stadium displays.
The production switchers for the OBs include one 4M/E Kayenne XL HD and one 2M/E KayakHD for multilateral production; one 1M/E Kayak HD for unilateral production; and one 1M/E Kayak HD for infotainment. That totals 10 Kayenne HD and 30 Kayak HD across the venues.
At the Johannesburg international broadcasting center, Grass Valley equipment includes two 1M/E Kayak HDs and a 4M/E Kayak SD as well as three routers (256 Trinix, 512 Trinix and 256 Trinix NXT), 55 Kameleon frames, 56 Gecko Flex frames, 23 Gecko frames and more than 700 HD/SD distribution amplifiers.
- See more at: http://www.tvtechnology.com/sports/0115/grass-valley-wins-lead-equipment-contract-from-host-broadcast-services-for-world-cup/226855#sthash.Jznkx1OQ.dpuf