Adrian Pennington - The Write Stuff

Wednesday, 28 December 2022

Studios rush to expand as demand soars

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Broadcast New facilities are being built around the country and existing sites are adding extra stages, but there is concern over soaring en...

Just Think About the Metaverse More Like a Media Channel

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NAB The metaverse is already a media channel for brands. According to a new survey by TELUS International, around three-quarters of American...

RIP The Golden Age of Streaming 2013-2023

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NAB Streaming has hit an economic reality check and with it the rule of engagement are changing. Rather than attracting a base of paid subsc...
Monday, 26 December 2022

Provider Priorities Are Cost Control and Live Streaming at Scale

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NAB article here It’s impossible to deny that the supercharged trajectory the video streaming industry experienced during the pandemic has b...
Thursday, 22 December 2022

Immersive entertainment goes one step beyond

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  AV Magazine Immersive experience venues from the Illuminarium to Cosm Hollywood Park are changing the face of live events, but the Madis...

Casino Tampere bets on immersive AV

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AV Magazine Finland has a different approach to gambling because a state-owned company, Veikkaus, owns a monopoly on the gambling business...

Polly Morgan’s Cinematic Journey: Behind the scenes of The Woman King

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HPA “Who doesn’t love an historical epic?” says Polly Morgan, BSC, ASC. “Especially one wrapped up in so much action and drama and heart and...
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Adrian Pennington

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The Write Stuff
Hello. I'm a journalist and editor specialising in the creation, business and technology of moving image media. Published in The Guardian, The Financial Times, British Cinematographer, The Hollywood Reporter, Screen International, Premiere, Broadcast, RTS Television, SMPTE and IABM journals and more. I also copywrite materials for online, marketing emails and press releases. I programme conferences, moderate conference sessions and manage projects. I co-authored the book Exploring 3D which includes interviews with Martin Scorsese, Wim Wenders and Baz Luhrmann.
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