Adrian Pennington - The Write Stuff

Wednesday, 18 October 2017

Graphics and editing round up

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InBroadcast Avid moves to the cloud, Adobe offers collaborative editing and Blackmagic’s focus is on realtime composites. http://e...
Friday, 13 October 2017

Why VR could be on shaky ground as Nokia abandons Ozo

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RedShark News First it was 3D, now it could be VR. The news that Nokia is halting development of its Ozo VR system is a further sign...

Can Better Monitoring Prevent a Replay of Class Action Against Showtime?

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Streaming Media Showtime faces a class action after problems with the Mayweather-McGregor fight stream. Continual and complete testing mi...

Cinema projection has a limited lifetime

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RedShark News The writing is on the wall for cinema projection. New screen technology composed of LEDs is set to disrupt the century-old w...
Tuesday, 3 October 2017

How to Enable Content Security & Beat Piracy

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UBB2020 Pirates today are very sophisticated, not only in the technologies they use to capture and redistribute content but also in ho...
Monday, 2 October 2017

Wildseed busy playing pranks for digital thriller

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VMI How to create an authentic looking vlog (video blog) to hook the audience into an episodic thriller was the task facing Wildseed Studi...

Off The Fence use Canon ME20 for night filming of elephants in Botswana

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VMI The extreme low light Canon ME20F-SH (4m ASA) has been used by Off the Fence Productions on assignment for Vulcan Production to suppor...
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Adrian Pennington

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The Write Stuff
Hello. I'm a journalist and editor specialising in the creation, business and technology of moving image media. Published in The Guardian, The Financial Times, British Cinematographer, The Hollywood Reporter, Screen International, Premiere, Broadcast, RTS Television, SMPTE and IABM journals and more. I also copywrite materials for online, marketing emails and press releases. I programme conferences, moderate conference sessions and manage projects. I co-authored the book Exploring 3D which includes interviews with Martin Scorsese, Wim Wenders and Baz Luhrmann.
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